Mosher composes for harpsichord and other instruments; crossing musical barriers to move the harpsichord out of the 18th century and into our times.

Mosher studied at Manhattanville College and USC for degrees in music history and piano. She also holds a Juris Doctor degree from USC Law School, and is a member of the California Bar. Presently she is active as a harpsichordist and as a composer for harpsichord and other instruments. Five CD's in release, two of Renaissance harpsichord music, two of her own compositions, while the most recent is a joint effort with three other musicians: free-ranging improvisations on piano and synthesizers. Lecturer and writer on Renaissance music, she is the author of "People and Their Contexts: A Chronology of the Sixteenth Century World."
Mosher has a strong interest in contemporary music, and is President of the Board of Piano Spheres (founded by Leonard Stein), a recital series presenting the best of contemporary piano music, as well as rarely heard treasures from centuries past.

The harpsichord is a wonderfully intimate instrument to play, with some really interesting sonic resources. I see it not as a period instrument, but as a way of making certain sorts of sounds, and am composing from that viewpoint. I do many shorter, character pieces and dances, which work well for it.

lots of Latin dances - including tangos and habanera, and character pieces, including two based on B.A.C.H